Art exhibition in Paris in March 2025 with six sparkling artists
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Saré paints a tender, costumed humanity out of time, its chaos and contingencies. Her sweet, tender, flirtatious characters are engrossed in play, music and dance.
Her precise, delicate touch offers a multitude of refined details in which her creatures evolve delicately with a benevolent eye for nature and objects.
She regularly exhibits in France and abroad, notably in Austria, Turkey, the United States, Canada and Bulgaria.
Rachel captures the beautý of living things in all their states, from seed to compost, with portraits of wilted flowers, botanical portraits, compositions of simple plant bodies in black and white.
She has exhibited́ in London and in France in prestigious venues such as the Jardin des Tuileries, the Château de La-Roche-Guyon, Musée de la Parfumerie in Grasse.
She also collaborates with top stylists such as Max Jacobs and Suzannah London, as well as editing the Comité Colbert’s annual magazine.
The Korea International photo festival has invited her to exhibit a series of works in Seoul from April 22 to 25, 2025.
Free of all academic rules, Vadim spontaneously expresses his emotions in his intense, poetic universe where dreams and reality mingle.
His naïve, sometimes surrealist style is characterized by a palette of vivid colors and expressive depictions of human figures.
His colorful figurative paintings are used either to illustrate his poetry (published in several editions by Memento Mori), or to take an oblique, distanced look at the world around him. He often highlights his worldly sadness and contradictions to move us or make us laugh.
A literary painter, in 2024 he prefaced the novel “A l’ouest le vent tourne” by Russian author Julian Semenov, in its new translation published by Canoe (Flammarion Group), and wrote an article for the Revue Antigone entitled “L’œuvre d’art? Authentic value or authentic belief?
In 2007, the “Apallec collection” was discovered, comprising 400 collages created between 1918 and 1934 by René Apallec [1898-1968]. René Apallec’s collages and the story of his life are in fact two parts of the same work, that of contemporary collagist Hervé Laplace.
Back in 2013, HEY! magazine devoted a richly illustrated article to him in issue no. 28. In 2015, he exhibited his collages at the Royal Albert Memorial Museum alongside works by Otto Dix, George Grosz and contemporary artists. He has also exhibited at the San Francisco Collage Museum.
Several of his works were selected to illustrate the special middle school edition of “Au revoir là-haut” by Pierre Lemaître, published by Magnard, and “Les courtiers du loto” by Mikaël Cabon, published by Autrement.
Vanessa is one of the most talented illustrators in the publishing world and beyond.
A graduate of the Olivier de Serres school, she works with authors and publishers of children’s books such as Casterman, Nathan, Élan vert, Didier jeunesse, Rue du monde, Belin, Gauthier-Languereau…
Alongside her work as an illustrator, she creates simply out of a need to do, spontaneously and without premeditation.
She produces scenes combining plant, animal and human forms, with hybrid creatures. Her characters and stagings elicit smiles at the unexpectedness of the situations and the formal attitudes of the richly costumed characters. `
Rebecca’s works are bursting with energy, with vivid lines and stitches. Materials and objects abound on her canvases, with staged scenes and landscapes brimming with characters painted, glued, sewn or sculpted in the round.
Her work can be found in museum collections in France (notably the Musée Cérès Franco, the Musée d’Art Brut in Montpellier and the Musée de l’Homme in Paris) and abroad (Tokyo, Bogota, Cyprus…).
She was awarded the Prix Jean Anouilh in 2019, the Prix Taylor in 2020, the Prix Artension in 2022 at the Salon Figuration critique and, in 2023, the Prix Bohin at the Salon Beaux-Arts in Paris.
Exhibition from March 20 to 30, 2025 at 6-8 galerie Vivienne, entrance 5 rue de la Banque 75002 Paris – métro Bourse or Palais-Royal.
“Fantasy is a perpetual springtime”
Johann Friedrich von Schiller